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Before this, most superheroes were idealistically perfect people with no serious, lasting problems.who could have bad tempers, fits of melancholy, and vanity; they bickered amongst themselves, worried about paying their bills and impressing girlfriends, got bored or even were sometimes physically ill. Watch now on Stan WARNING: CONTAINS HIGH IMPACT VIOLENCE, THEMES AND BLOOD AND GORE.

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Marshaling his childhood ambition to be a writer, young Stanley Lieber made his comic-book debut with the text filler "Captain America Foils the Traitor's Revenge" in Captain America Comics #3 (cover-dated May 1941), using the pseudonym Stan Lee, Lee later explained in his autobiography and numerous other sources that he had intended to save his given name for more literary work.This initial story also introduced Captain America's trademark ricocheting shield-toss.In the mid-1950s, by which time the company was now generally known as Atlas Comics, Lee wrote stories in a variety of genres including romance, Westerns, humor, science fiction, medieval adventure, horror and suspense.In the 1950s, Lee teamed up with his comic book colleague Dan De Carlo to produce the syndicated newspaper strip, My Friend Irma, based on the radio comedy starring Marie Wilson.Marvel was pioneering new methods of comics storytelling and characterization, addressing more serious themes, and in the process keeping and attracting readers in their teens and beyond.

Moreover, among this new generation of readers were people who wanted to write or draw comics themselves, within the new style that Marvel had pioneered, and push the creative envelope still further.He was inducted into the comic book industry's Will Eisner Award Hall of Fame in 1994 and the Jack Kirby Hall of Fame in 1995. By the time Lee was in his teens, the family was living in an apartment at 1720 University Avenue in The Bronx.Lee has described it as "a third-floor apartment facing out back".There was a new audience for comics now, and it wasn't just the little kids that traditionally had read the books.The Marvel of the 1960s was in its own way the counterpart of the French New Wave....In the late 1950s, DC Comics editor Julius Schwartz revived the superhero archetype and experienced a significant success with its updated version of the Flash, and later with super-team the Justice League of America.