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[Brown did an enormous amount of writing on the London stage. He sees Cinderella and Cupid fixes an arrow in his heart. Pedro brings the pumpkin, mice, and lizards that become the transport and entourage to the ball. Ida, where Venus, Cupid, and the Nymph sing of their triumph. Hunters with a large buck slung on their shoulders, Prince Felix, and his tutor Bigwiggo enter, unpack their hamper and have a picnic. As he approaches Cinderella and looks under her hood he starts back in astonishment.

Pantomime works frequently cite his scholarly interest in the genre, but I have not yet been able to identify specific works by Brown devoted to the subject.] [The first mention of Cinderella occurs in Chapter VI, which focuses on Joseph Grimaldi. A grand dress descends from the clouds and fixes on Pedro. The Palace Ballroom, with splendid banquet and music. As they do so the Prince comes with the slipper, various candidates try it on, for ludicrous effect. The Prince looks into her face lovingly and the slipper fits. The Nymph enters, Hymen attends with his torch, and the Prince and Cinderella kneel at the altar and are made happy. The application for permission to perform is registered with the Lord Chamberlain by John Fawcett 20 March 1820, with performance at the Theatre Royal, Covent Garden, beginning 22 March 1820. Finetta the godmother appears, and tells "Moth and gaudy Fly" to fetch the pumpkin, trap with dappled mice, the sleek , fat, "old grey whisker'd Rat" in the barn, "six dainty Lizards green," and changes Cinderella's dress for the ball, with glass slippers to crown all. Finetta warns Cinderella about the midnight deadline when she must "be at home." Sc. The Prince prefers bumpers of wine to logarithms and double equations. Fairy Serena appears instantly, and with three wand waves transforms Cinderella's garb.

Summarizes the numerous names for the Baron, the sisters, and the Prince.] ["The composition of pantomimes, notwithstanding a vulgar notion to the contrary, has of late days greatly improved. Cinderella asks if she might go, if only for an hour.

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There are numerous illustrations and photographs of various harlequins throughout the history of theatre.] (1860 at the Royal Strand) the sisters came into full ugliness and Buttoni makes his first appearance. Clorinda and Thisbe become increasingly abusive of Cinderella. The Baron awakens to the commotion, disclaiming the noisy daughters, and tells, as in , his dream of the ascending Jack-ass. In Rossini's duet they question each other and fall in love. Presumably, the people have in the meantime arrived at the Grand Ball. In 1895, at Drury Lane, Cinderella set out to the Ball in an "automotor carriage encrusted with incandescent jewels." In 1883-84 her slippers are made of "toughened glass." Frow discusses uses of advertising in pantomimes and popular songs, sex, domestic animals, and spectacular devices to attract audiences. Presumably Dandini disguised as the Prince extends the invitation to the ball. In a "Dialogued Quartett" the sisters flirt with Dandini, thinking he is the Prince, and Dandini reveals to the Baron his valet status. Tears both on and off the stage were shed in great abundance. A procession and proclamation of the search for the slipper's owner. At first the sisters would block Cinderella from her chance, but the Prince insists on a fair trial; the slipper fits and Cinderella produces its mate. But no opportunity has been given of late years for a Tragic Pantomimist to make a reputation..." (p. At the end the clock strikes midnight and Cinderella and Pedro are exposed. A trumpet is heard announcing the Prince's search. Cinderella appears but is banned by the Chamberlain. The Prince is changed to Harlequin, Cinderella to Columbine, Squaretoso to Pantaloon, the Baron to a clown, and they dance. 11: Booksellers, Clockmakers, Auctioneers, and Perfumers perform with tricks and novelties and a galoppe by Fred Payne and Mademoiselle Esther. 12: Wimbledon Common, with performances by the National Rifle Association, the Zoological Prize Meeting, a pic-nic—"something out of the common"—and DONATO: A New Grand Unusual pas de Trois ___ (guess, lest it be "Payne-ful to enlighten them"). The Harlequinade joins in as the scene transforms into The Christmas Revel of "The Fairies in their Submarine Retreat."]. Promenade Concerts (made up of musical notes and ice cream), along with Music Hall and four little volumes labelled English Songs, Scots Songs, Irish Songs, and Comic Songs. Rogers), Prince Plenteous (Miss Nelly Power), Flunkini, his valet (Miss Maud Brennan), Sambo (Mr. There is to be a ball tomorrow, his coming of age day—an insect ball—his last chance. 2: Giant Cornfield and Grand Ballet, with a Procession of the Insects. She says she was only gleaning, sent out by her mean sisters to do so. Cinderella's carriage crosses the stage followed by a procession of women from all nations. The carriage springs up through a trapdoor and the horses, coachmen, etc., appear from the wings as FG projects her magic by throwing mice, etc. He says he has to look after all the messes men make, and Serena says she must look after the shy maiden Cinderella. Women crowd around to try, including the haughty sisters.

[Synopsis, as printed in the Programme of Scenery and Incidents: ' Sc. General rising of the Fairy population—their Queen relates a famous history, and is interrupted by the arrival of a —A charming Portrait in an oak frame—Dandini, being excessively inflated, is eventually blown up—the Prince of Salerno assumes the dress of Dandini, and, seeking change, passes off a light sovereign for its mere . Desplaces and danced by the same dancers as before. Lizards and rats run away; Pedro lugs off the pumpkin, and the Baron returns emptying his pockets of all the loot he purloined. Females of all nations try on the slipper, including Thisbe and Clothilda. Hobgoblin groans and declares he'll be a congenial goblin hereafter; Papillion approves and suggests he take his time from her. 10: The Fairy's Chronometer and the Flight of the Hours. Papillion appears in necromantic garb to claim her wager. Then a poor Bohemian girl comes on with a scroll labelled "English Opera"—"Poor English Opera—so kept at a distance that folks would have almost forgotten her existence, were it not for Miss Blanche Cole, who is good in every role. Bradshaw), Guests, Fairies, Servants, Countrymen, Insects, Children, etc. There's no retracting the spell of a spelling bee. Farmers and reapers rush on stage in pursuit of Cinderella, who calls for help: "Save me! The farmers accuse her of stealing corn from a sheaf. She fetches the pumpkin, rat, mice, and lizards for the Fairy. Oberon appears, and Fairy Serena wishes he would spend more time with her. The Prince sees her dancing the polka and asks her to sit with him. They talk about whether the Prince has seen her before, then she sits with the Queen to listen to "The Harp of the Troubadour." She inquires about the time, but the Prince insists it is early, so she dances a waltz with him as the clock strikes midnight. All that can be found of her is a little glass slipper and report of a little beggar-girl. Sc.1: The Herald proclaims that the Prince has vowed by the Moon and Big Dipper to marry the lady who puts on the slipper. John Rich, inventor of the Harlequinade, was the first to describe a play as a pantomime. With a wave of the wand Cinderella is transformed too, and then Pedro as well. Cinderella appears, accompanied by Pedro and the page. The clock strikes twelve and Cinderella flees, losing one of the glass slippers. He was a performer and founder of Covent Garden Theatre. The little page fondles Cinderella, a sign of love twining himself around her heart. The first Cinderella stage production was in 1804, though the first real pantomime treatment was not until 1864. In 1948 alone, there were 37 different Cinderella productions in England. Performed at the Theatre Royal Drury Lane 24 December 1803. [Cast: The Prince, Cupid, Hymen, Page, Pedro; Venus, the Graces, Cinderella, Two Sisters, Fairy. The Immortals sing praises to Venus, who announces her plan. Application submitted to the Lord Chamberlain 17 Dec. The play, a ballet, alternates miming dance with music in the form of recitatives, arias, and choruses. The Prince appears and the immortals entertain him with a dance while Cupid fixes an arrow in his heart. Over her fine bosom falls a cascade of lace ruffles, and nestling in the lace is a large oval diamond the size of a hen's egg.