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Each channel has its own volume control, and then the amp itself has a dedicated master volume control and Solo level control.

Not only can you assign 6L6 or EL34 power tubes (or both) on a per-channel basis to this four-channel wonder, but cabinet switching enables you to route different channels through different power amp sections into different unmatched speaker cabinets. In fact, it’s entirely possible that based on how you configure your Road King, people will more likely assume your tone is coming from vintage Mark series amps rather than a modern day Rectifier.What you’re left with are four completely independent amps, each with its own volume/gain/tone controls (of course).We think this is a needless feature as it bypasses the fantastic Boost feature we all love Mesa/Boogie for with no sonic difference that any The King Controller II foot controller worked great.Mesa/Boogie has been on a roll, releasing some of their greatest amps ever over the past few years.

The Road King Series II may be the ultimate refinement of their amp technology, and we loved it so much that we had no choice but to replace our Tri Axis rig with the new ruler of the Boogie Kingdom.At 24” long, the heavy-duty metal switches were spaced far enough apart for the widest of motorcycle boots, but worked just as well with our running shoes.Controls on the footswitch include: selecting each of the four channels, turning each effects loop On/Off, Reverb On/Off, Solo boost, and the external trigger.Status lights on the front of the amp showed us the tube selections and rectification method being used on each channel, so there was no need to look at the back of the Road King if we forgot what our channel strip settings were.Controls for each channel are laid out in logical order on the front of the amp.A form-fitted slipcase is provided for slight protection during transit.